Electronics : SolidTek DM-L2 DigiMemo L2 8-1/2-by-11-Inch Digital Notepad

Electronics : SolidTek DM-L2 DigiMemo L2 8-1/2-by-11-Inch Digital Notepad

SolidTek DM-L2 DigiMemo L2 8-1/2-by-11-Inch Digital Notepad

from: Solidtek



SolidTek DM-L2 DigiMemo L2 8-1/2-by-11-Inch Digital Notepad
Buy Now
See Larger Image
Availability: Usually ships in 24 hours

List Price: $158.99
Your Price: $107.99
You Save: $51.00 (32%)
Prices subject to change.

Average Rating:  out of 5 stars
Sales Rank: 693










Please click here for more info


Binding: Electronics
Brand: SolidTek
EAN: 0712504720000
Label: Solidtek
Manufacturer: Solidtek
Model: DM-L2
Publisher: Solidtek
Sales Rank: 693
Special Features: nv:Device Type^Digital Notepad|Connection Type^USB
Studio: Solidtek



Features:
  • Take notes on regular paper with inking pen, and Digital Notepad converts writing strokes into digital format
  • 32 MB built-in memory and CompactFlash expansion slot to add more
  • Writing area 8.5 x 11 inches for full letter size
  • Included DigiMemo Manager software to view, edit, and organize digital pages
  • Device measures 13.2 x 0.47 x 9.9 inches (WxHxD)







Editorial Review:

Item Description:
Digitally capture and store everything you write with ink on ordinary paper. The DigiMemo L2 is a stand-alone device with storage capability that digitally captures and stores everything you write or draw with ink on ordinary paper without the use of computer and special paper. When connected to a PC, the DigiMemo L2 offers an on-line writing function, which can instantly synchronize your writing on the paper with the digital page in its software. With its DigiMemo Manager software, you can easily view, edit and organize your digital pages in Windows. You also can use the on-line writing function, which can instantly synchronize your writing on the paper with the digital page in its software. Can be saved as BMP, JPG, GIF or PNG format System Requirements - Windows 2000 or XP, CPU 500 MHz Pentium III or better, RAM 128 MB or more recommended, Equipment Available USB port, CD-ROM drive & 32 MB Hard Drive Free Space Pad Dimensions - Width 9.88 x Length 13.22 inches (251 mm x 336 mm) Thickness - 12 mm (0.47-inch) Weight - 1.4 pounds (635 grams) without batteries Writing Area - 8.5 x 11-inch (216 mm x 279 mm) Writing Thickness - 0.55-inch (14 mm), approximately 140 sheets of paper Notepad Holder for Letter size notepad - 8.5 x 11.9-inches (216 mm x 302 mm) Power Source Supplied from USB port when connecting the digital pad to PC 4 AAA alkaline batteries can last approximately 80 hours Digital Inking Pen Dimensions - Length 5.28 x Diameter 0.45-inch (34x11.3mm) Weight - 0.03 pounds (3.8 grams) with battery Power Source - One 1.55V button cell battery Ink Cartridge - Diameter 0.09 x Length 2.64 inch (2.3mmx67mm)

Amazon.com Item Description:
The SolidTek DM-L2 DigiMemo L2 8-1/2-by-11-Inch Digital Notepad is a stand-alone device that can digitally capture what you write and draw on regular paper--with no special paper or computer. The Digital Notepad remembers the strokes that you draw and when you are done, you simply plug the Notepad into your computer via USB and upload your notes. Then you will have both a digital and a paper copy. The included DigiMemo Manager software lets you easily view, edit, and organize your digital pages in Windows. The digital pages can be saved as BMP, JPG, GIF, or PNG formats. You can then easily share your digital pages with others, or highlight, annotate, and edit them.

When the pad is connected to a PC, it can function as a graphics tablet, with the writing on the paper and the writing on the screen synchronized. The DigiMemo L2 has a writing area of 8 by 11 inches and has 32 MB of built-in storage, with a CompactFlash memory card slot for expansion. The pad is light and thin, and isn't uncomfortable to hold or use. The battery of the pen can last about 14 months and the pad will last about 100 hours on four AAA alkaline batteries. The unit automatically shuts down after 30 idle minutes.



Accessories:
Acecad Digipen P100 see more

Accessories:




Availability: Usually ships in 24 hours


Related Items:
Acecad Digimemo L2 Portfolio Digimemo Handwriting Recogniti Acecad Digipen P100 PF100 Portfolio Acecad Digimemo SolidTek DigiMemo 692 Digital Notepad with Memory see more

Related Items:




Customer Reviews
Average Rating:  out of 5 stars

Rating: 1 out of 5 stars - * It didn't work ...
I was so hoping this device would work.

it actually did initially but within 3 hours of using it over the course of 2 or 3 different times over a period of several weeks, it broke and i returned it. By broke i mean that it would turn on but then absolutely would do nothing, not even shut off.



Rating: 4 out of 5 stars - * Love It! ...
I use it both for taking notes and marking up PDFs. Works great. Easy to use. Have to turn Word docs into PDFs before marking them up. Also, I think you do need to have the full version of Adobe Acrobat to mark up PDFs rather than just the reader. Four stars instead of 5 because I would like a little higher quality pen.



Rating: 5 out of 5 stars - * buy an extra pen ...
I use this digital pad daily in my Chemistry and AP Chemistry classes. Buy an extra pen! Once you start using this pad you won't be able to function without it.



Rating: 2 out of 5 stars - * Don't get it! ...
I got this products with high hopes but it ended up being more aggravating than it was worth. I got it in hopes of cutting out some of the notes I hate to write and then retype for my job. It's a nice theory but I had to go back and correct so much that it became a real chore. I was very careful to write as neatly as I could but it still put in capital letters where there were supposed to be lower-case, even after making a mental note to myself to try to make the letters differentiate better after I used it for the first time. It seems you have to write PERFECTLY for it to be worthwhile. Also, I didn't realize I would have to buy a program seperately to make my writing convert into type-written documents. It gives you 30 days for free, thankfully, so you can see if it works well or not... Many of my words came out just fine and that was nice about the product but the number of things I had to go back and correct made me send it back. To me, it's just not worth the price, at least until maybe the technology improves on it.



Rating: 3 out of 5 stars - * A Bit Disappointing ...
The pen is cheap but functional and the cap clip that attaches it to the tablet is weak and not really designed for the purpose. Storing the pen on the tablet spring clip is a bad idea as the pen comes out of the cap clip easily. The text/graphic conversion program that comes with it is mediocre and leaves many corrections that have to be made. Formatting is erratic with bullets sometime read as a text character. I tried reproducing the text/graphic that is on the tablet cover (and in the advertising picture) with only fair results. The graphics have to be carefully drawn or the conversion does not keep the circle, segment lines and hatch marks correlated accurately. The lines in the conversion extended beyond the circle border and were of random length. Each graphic element is rendered separately rather than the graphic being recognized as a single grouped element. The text/graphic conversion program that is included is just a 30 trail that you then have to purchase to continue using.


Notepad Digital 8-1/2-by-11-Inch L2 DigiMemo DM-L2 SolidTek


read more customer reviews on SolidTek DM-L2 DigiMemo L2 8-1/2-by-11-Inch Digital Notepad


Browse for similar items by category:

 



Surveillance Cameras







Pop Music - equipment









$18.99



Set in Saudi Arabia, The Kingdom is a political action thriller with good acting and wonderful visuals. Its so-so script, though, at times meanders aimlessly until a good explosion jolts the viewer's attention back to the screen. Jamie Foxx stars as FBI special agent Ronald Fleury, who leads an elite team into Saudi Arabia to find the terrorists who attacked American employees working in the Middle East. He has been given the unlikely deadline of five days to infiltrate the compound, with just his wit and his crew, which includes forensics expert Janet Mayes (Jennifer Garner), explosives guru Grant Sykes (Chris Cooper), and intelligence analyst Adam Leavitt (Jason Bateman). It's unclear how helpful smarmy U.S. diplomat Damon Schmidt (Jeremy Piven) will be, but Fleury knows enough to surmise that the media-hungry Schmidt might not be completely trustworthy. Foxx and Garner have wonderful screen presence, but it's Bateman and Piven who get the best lines. Director Peter Berg peppers The Kingdom with actors he has worked with in the past. Berg, who guest-starred on Alias opposite Garner, casts Tim McGraw in a small role here. (The country singer also had a co-starring role in Berg's 2004 film Friday Night Lights.) And Kyle Chandler and Minka Kelly--two of Berg's lead actors from the Friday Night Lights television series, , make appearances in The Kingdom. The action sequences he creates are impressive and generate a sense of panic that The Kingdom producer Michael Mann (Miami Vice) undoubtedly applauds. While a tauter script would've rounded out the action nicely, the action in many cases does speak for itself. --Jae-Ha Kim
$19.99



A staggering portrait of arrogance and incompetence, the documentary No End in Sight avoids the question of why the U.S. invaded Iraq in 2003, choosing instead to focus on the war's aftermath--and meticulously examine the chain of decisions that led Iraq into a grotesque state of lawlessness and civil war. Drawing from interviews with top generals, administration officials, journalists, and soldiers who were in the thick of the war itself, No End in Sight lays out a gripping story, as suspenseful as any Hollywood movie, accompanied by terrifying footage of firefights and explosions more vivid than any special effects. Unfortunately, there is no happy ending. If the documentary has a weakness, it's the shortage of voices trying to defend the administration policies (perhaps unsurprisingly, policymakers like Dick Cheney, Donald Rumsfeld, and Paul Wolfowitz declined to be interviewed). But the testimony (presented by administration insiders and officials in Iraq, both military and civilian) argues that, despite contrary analysis and experienced advice against its actions, the top brass of the Bush administration made decisions (that aggravated already existing problems and created devastating new ones. No End in Sight builds its case one voice at a time and avoids the grandstanding that undercuts Michael Moore's work; instead, the gradual accumulation of simple facts--presented with weary resignation, earnest outrage, and restrained anger--results in a compelling condemnation of one of the worst blunders the U.S. has ever made. --Bret Fetzer
$14.99



Fans of Oliver Stone's J.F.K. will recognize the opening moments of writer-director Eugene Jarecki's Why We Fight, in which outgoing President Dwight Eisenhower warns of the pernicious and growing influence of what he called the "military-industrial complex." But Stone's movie, which uses the same footage, was a work of fiction. While those who disagree with the decidedly leftist point of view in this documentary will probably consider it the product of paranoid liberal fantasy as well, there's enough credible material, much of it supplied by the targets of Jarecki's criticisms, to make Eisenhower look like a prophet and everyone else uneasy about the dark confluence of politics, money, and war that controls the country's fortunes. The message here is that while there may be some who sincerely believe that America's various military engagements (in Iraq, Vietnam, Grenada, Panama, and elsewhere) since World War II are the product of our God-given duty to spread freedom and halt the influence of evil ideologies around the world, the real reason we fight is that war is good business. This is hardly a bulletin; anyone who is surprised by allegations that politicians pander to defense contractors, or that Vice President Dick Cheney helped secure huge deals for Halliburton, the company he formerly headed, simply hasn't been paying attention (Politicians lie? How shocking!). In fact, the principal drawback to Jarecki's film is simply that there's nothing particularly revelatory or compelling about it. Only when he takes a personal approach does he go beyond the obvious; the story of a retired New York policeman and former Vietnam veteran whose son died in the World Trade Center, who wanted revenge, but who became seriously disillusioned when Bush admitted that the war in Iraq had nothing to do with 9/11, adds some much needed human interest. Still, Why We Fight, which includes a director's audio commentary track and a few other bonus features, serves as a grim reminder that the world's most powerful nation has strayed far from the principles of our founding fathers, a development that does not bode well for America's future. --Sam Graham

by Dixie Chicks
$21.95

Average customer rating: ISBN: 0739043439

by Dixie Chicks, Mark Seliger
$16.95

Average customer rating: ISBN: 0739043447
$4.95



In her snowy home state of Utah, Marie Osmond serves up a warm cup of holiday cheer with Marie Osmond's Merry Christmas, her very first Christmas special. Mixing traditional songs and carols with modern melodies, Marie presents a sentimental hourlong program (originally aired on television in 1989), blending music with short sketches. The show features Kirk Cameron, then-teen heartthrob on Growing Pains; Candace Cameron, his sister and star of Full House; country singer Lee Greenwood; Sally Struthers and daughter Samantha, ice dancers Judy Blumberg and Michael Siebert, and the Osmond Boys.

Marie opens the show with an outdoor rendition of "We Need a Little Christmas" and then moves into the studio where Kirk Cameron arrives on a snowmobile (fresh from rescuing a trio of blonde snow bunnies) to read "The First Christmas Story." Lee Greenwood performs "Christmas to Christmas" and later a duet with Marie. "It's Beginning to Look a Lot Like Christmas" is sung by Sally Struthers and daughter with help from the Osmond Boys--six stepping stones ages 4 to 12 who have the senior Osmonds' moves down pat. The adorable award, though, goes to Marie's 5-year-old son, Steven, who performs a rockin' version of "Santa Claus Is Comin' to Town" (clapping on the off-beat nearly the whole song).

Marie has a good, strong voice, but many of the songs are overproduced and melodramatic. This, most likely, is a product of the big, pouffy '80s (her hair and outfits are also bigger-than-life) rather than a reflection of her talents. The closing number, "O Holy Night," sung by Marie alone, is quite lovely. --Dana Van Nest

$11.98








Pop Music - equipment









$18.99



Set in Saudi Arabia, The Kingdom is a political action thriller with good acting and wonderful visuals. Its so-so script, though, at times meanders aimlessly until a good explosion jolts the viewer's attention back to the screen. Jamie Foxx stars as FBI special agent Ronald Fleury, who leads an elite team into Saudi Arabia to find the terrorists who attacked American employees working in the Middle East. He has been given the unlikely deadline of five days to infiltrate the compound, with just his wit and his crew, which includes forensics expert Janet Mayes (Jennifer Garner), explosives guru Grant Sykes (Chris Cooper), and intelligence analyst Adam Leavitt (Jason Bateman). It's unclear how helpful smarmy U.S. diplomat Damon Schmidt (Jeremy Piven) will be, but Fleury knows enough to surmise that the media-hungry Schmidt might not be completely trustworthy. Foxx and Garner have wonderful screen presence, but it's Bateman and Piven who get the best lines. Director Peter Berg peppers The Kingdom with actors he has worked with in the past. Berg, who guest-starred on Alias opposite Garner, casts Tim McGraw in a small role here. (The country singer also had a co-starring role in Berg's 2004 film Friday Night Lights.) And Kyle Chandler and Minka Kelly--two of Berg's lead actors from the Friday Night Lights television series, , make appearances in The Kingdom. The action sequences he creates are impressive and generate a sense of panic that The Kingdom producer Michael Mann (Miami Vice) undoubtedly applauds. While a tauter script would've rounded out the action nicely, the action in many cases does speak for itself. --Jae-Ha Kim
$19.99



A staggering portrait of arrogance and incompetence, the documentary No End in Sight avoids the question of why the U.S. invaded Iraq in 2003, choosing instead to focus on the war's aftermath--and meticulously examine the chain of decisions that led Iraq into a grotesque state of lawlessness and civil war. Drawing from interviews with top generals, administration officials, journalists, and soldiers who were in the thick of the war itself, No End in Sight lays out a gripping story, as suspenseful as any Hollywood movie, accompanied by terrifying footage of firefights and explosions more vivid than any special effects. Unfortunately, there is no happy ending. If the documentary has a weakness, it's the shortage of voices trying to defend the administration policies (perhaps unsurprisingly, policymakers like Dick Cheney, Donald Rumsfeld, and Paul Wolfowitz declined to be interviewed). But the testimony (presented by administration insiders and officials in Iraq, both military and civilian) argues that, despite contrary analysis and experienced advice against its actions, the top brass of the Bush administration made decisions (that aggravated already existing problems and created devastating new ones. No End in Sight builds its case one voice at a time and avoids the grandstanding that undercuts Michael Moore's work; instead, the gradual accumulation of simple facts--presented with weary resignation, earnest outrage, and restrained anger--results in a compelling condemnation of one of the worst blunders the U.S. has ever made. --Bret Fetzer
$14.99



Fans of Oliver Stone's J.F.K. will recognize the opening moments of writer-director Eugene Jarecki's Why We Fight, in which outgoing President Dwight Eisenhower warns of the pernicious and growing influence of what he called the "military-industrial complex." But Stone's movie, which uses the same footage, was a work of fiction. While those who disagree with the decidedly leftist point of view in this documentary will probably consider it the product of paranoid liberal fantasy as well, there's enough credible material, much of it supplied by the targets of Jarecki's criticisms, to make Eisenhower look like a prophet and everyone else uneasy about the dark confluence of politics, money, and war that controls the country's fortunes. The message here is that while there may be some who sincerely believe that America's various military engagements (in Iraq, Vietnam, Grenada, Panama, and elsewhere) since World War II are the product of our God-given duty to spread freedom and halt the influence of evil ideologies around the world, the real reason we fight is that war is good business. This is hardly a bulletin; anyone who is surprised by allegations that politicians pander to defense contractors, or that Vice President Dick Cheney helped secure huge deals for Halliburton, the company he formerly headed, simply hasn't been paying attention (Politicians lie? How shocking!). In fact, the principal drawback to Jarecki's film is simply that there's nothing particularly revelatory or compelling about it. Only when he takes a personal approach does he go beyond the obvious; the story of a retired New York policeman and former Vietnam veteran whose son died in the World Trade Center, who wanted revenge, but who became seriously disillusioned when Bush admitted that the war in Iraq had nothing to do with 9/11, adds some much needed human interest. Still, Why We Fight, which includes a director's audio commentary track and a few other bonus features, serves as a grim reminder that the world's most powerful nation has strayed far from the principles of our founding fathers, a development that does not bode well for America's future. --Sam Graham

by Dixie Chicks
$21.95

Average customer rating: ISBN: 0739043439

by Dixie Chicks, Mark Seliger
$16.95

Average customer rating: ISBN: 0739043447
$4.95



In her snowy home state of Utah, Marie Osmond serves up a warm cup of holiday cheer with Marie Osmond's Merry Christmas, her very first Christmas special. Mixing traditional songs and carols with modern melodies, Marie presents a sentimental hourlong program (originally aired on television in 1989), blending music with short sketches. The show features Kirk Cameron, then-teen heartthrob on Growing Pains; Candace Cameron, his sister and star of Full House; country singer Lee Greenwood; Sally Struthers and daughter Samantha, ice dancers Judy Blumberg and Michael Siebert, and the Osmond Boys.

Marie opens the show with an outdoor rendition of "We Need a Little Christmas" and then moves into the studio where Kirk Cameron arrives on a snowmobile (fresh from rescuing a trio of blonde snow bunnies) to read "The First Christmas Story." Lee Greenwood performs "Christmas to Christmas" and later a duet with Marie. "It's Beginning to Look a Lot Like Christmas" is sung by Sally Struthers and daughter with help from the Osmond Boys--six stepping stones ages 4 to 12 who have the senior Osmonds' moves down pat. The adorable award, though, goes to Marie's 5-year-old son, Steven, who performs a rockin' version of "Santa Claus Is Comin' to Town" (clapping on the off-beat nearly the whole song).

Marie has a good, strong voice, but many of the songs are overproduced and melodramatic. This, most likely, is a product of the big, pouffy '80s (her hair and outfits are also bigger-than-life) rather than a reflection of her talents. The closing number, "O Holy Night," sung by Marie alone, is quite lovely. --Dana Van Nest

$11.98




Notepad,B000LD25MC Digital Inch 11 By 2 1 8 L2 Digimemo L2 Dm Solidtek
Shopping at www.bestglobalgifts.com  Created at Mon Dec 1 15:05:35 2008